It has been a while since I have written. Not out of lack of substance, but out of lack of capacity to express what has occurred in the past month.
I started cleaning my father's house. The house I grew up in. I also started taking Bikram Hot Yoga classes. Somehow I think the two are related. The house and my body.
I was at the Cordillera Spa and Lodge a few weeks ago in Edwards, Colorado giving a workshop, and I had a wonderful massage, swim, whirlpool, and I decided to sit in the sauna. I usually am reluctant to be in saunas or hot rooms or anything because it makes me irritable and claustrophobic. Somehow this time I loved the heat, loved the sweating. I felt like something deep was melting away. The detox. And the spa place was so beautiful. Ultra luxurious, but a not conspicuous. Just nice, remote, even though I could not help but wonder what the heating bills were on these monstrous houses dotting the landscape that remained unoccupied!
Unfortunately, the drive back was so stressful because of snow, overturned trucks on I-70 and I feared they would close the tunnel and I'd be stranded. Worse, it was return traffic from the casino towns. Major bummer. It took me all day the next day to recover. But then I started cleaning my father's house.
He said it was time. That I would be able to come and live there if need be. He has a third acre in east Boulder. A nice bit to grow a lot of organic food, our favorite past time. But of course I would have to tackle the mess that is his house. When my mother died, I helped him clean it out. The piles and piles of old clothing, junk in every corner, the clogging of the entire house, buried in stuff. That on top of it that it had not been cleaned in 30 years.
He said it would probably make his migraine headaches go away, let everything go. That and maybe the big blockage at his navel area. A large weight held there, probably from emotions but also too much chocolate.
We started in the hallway, where he uses cardboard boxes to fill up each with old bills, magazines, junk mail, odds and ends. He was afraid to throw anything away. So we went piece by piece, paper by paper. I had ordered a big roll off for all the stuff. We just started dumping it, and recycling some, because he says he gets credit for the weight. But we filled up the recycling bin in a matter of hours, and it only comes once every two weeks. So piece by piece we went. I even found the Liberace autograph my mother said she had and had not found the first time I cleaned out the house when she died.
I had made a box of items that could be stored. My father's biggest problem is simple disorganization. Zillions of items just scattered around the house. I went in this storage area to put the box there. Mice had gotten into his end of the world food supply or wheat and what not that was there. It has been there since 2000. I saw two dead mice in traps, screamed, and dropped the box I was carrying, which upset another, untripped mouse trap. The box fell to the floor, which was covered in mice feces. I screamed again. I wondered, am I able to really clean this place out? It's so overwhelming the mess, the filth. The emotional layers there.
I went to my first Bikram class and made it through. I dripped with sweat. I felt dizzy at times, but did pretty well. Afterwards I was exhilarated, like the best high i've had in a long time. Natural, gorgeous. My skin was glowing. I had energy. I signed up for the two-week special for $25 bucks. Price is right. So I went again, felt better and wasn't dizzy. Again, dripped off sweat, like layers and layers of emotions and negativity and fear. Afterwards, felt great again. It was impossible to feel negative. I could deal with my father's house. I had to.
I came to my father's house again on Halloween. It was all abuzz with a friend of his who was a professional house cleaner. She was helping him go through tons of stuff. I was amazed they had cleaned out the back dining room area, which used to be the living room before the garage was made into the living room. But the back room was just tables piled high with tons of papers and stuff. She removed it. you could see the floor, which was previously covered. You can now see the original orange and yellow shag carpet from 1973. Although dust fills all the corners. Julia, the housekeeper, vacuumed up the dust, which I'm usually covered in when I help clean, sneezing the whole way through. Huge progress was made.
Trick-or-treaters came by and I dished out candy. I was amazed that kids come up to this house, since it's so run-down on the outside too. Maybe they think it's spooky, or dare each other to go up there, or maybe they are just greedy for candy. A Rotor Rooter truck was outside on the driveway too, blocking the way, because sadly the concrete in the back sank down so much because of a lot of rain and because the builder was cheap and didn't set the concrete correctly and it crushed the sewer pipe. So the toilets were unusable. Julia and I thought it was symbolic. THE SHIT CAN'T GET OUT.
So I went to a Third Bikram class. Sweated out some more. I haven't drank alcohol in many weeks either in a gung-ho attempt to cleanse. Went to a Shambhala meditation class. I can look at the shit clearly. I can see things arise in my mind. I know it's there. I can choose to get swept up in the shit, yes, I do sometimes and I pay dearly for it. And other times I can let it go. Is that what being human is about?
Somehow, though, seeing reality can be intense. It can also get a little boring. Or am I covering it all up again? Do you ever break through? Are you ever completely cleaned out? Or would you be dead? In reading Becker's The Denial of Death, it's about realizing how intense life is, that we are really half earth and half angel. Our bodies complicate things, even horrify us. We make up myths and religions to get around the death thing. But die we do. And to face death, and reality, is heroic. And that our society doesn't really offer us, especially youth, any opportunity to be heroic, as we barely face death anymore. We just watch it on TV and gawk at the body count piling up in the headline news. We cowardly wait in the shadows at some horror of life, hoping it won't happen to us. But it does happen to us. All the time. And somehow cleaning that out and really looking at it, to not deny anything of yourself, the filth in your father's house, the gunk in your body, that is good. You love it all. Every dark corner of it.
I wonder what the next hot yoga class has in store. And when I will find the courage to clean my father's house again.
Showing posts with label bipolar memoir. Show all posts
Showing posts with label bipolar memoir. Show all posts
Wednesday, November 4, 2009
Tuesday, June 16, 2009
Deep Cleaning
It has become the Queen of Bohemia's personal ritual to weekly clean the house. For there is a certain satisfaction to getting the dirt, the loss, the shame, the fear and all that goes with it in life's little tragedies, out. It is erased, like sand washing over the hieroglyphs. It is worn away and something new is created.
More so, it's the body that gets in there. The constant motion of the hands, the squats to get down on the floor and scrub into the corners. The mind stops; the heart opens. And whatever needs to be cleaned internally speaks its last words of reckoning and then vanishes like vapor from a tea kettle.
I realize that my father was the biggest wounding. Yes, my mother was a doozy, but he who survived the concentration camp of Java was so disempowered. I think of the seeds I purchased and planted in trays at his house in March. They sprouted, but promptly died from lack of attention. We did plant a few seedlings I purchased at a greenhouse in the back. But there is always the lack of initiative. The hope and the excitement of getting ready. Only to be met with disappointment and futility.
I ask my father when visiting his house to have the children help him weed the garden. Have him read to Paloma. He does not. They watch TV all day. My father sleeps in his bed.
I helped him get a reverse mortgage for his house before Frank died. And he has taken as much equity as he can out. And now another $30 k in equity will just be eaten up. I cannot understand the reasoning in this. He says the world is going to leap into the fifth dimension and none of this will matter. I do keep myself withdrawn from things, like the Speer property and panic about financials and see this as a grand projection that the Gita epitomizes in this action of life detached. But what the?!?!?!? I get angry. Why would he do that? How selfish! But then he is in survival mode, they say. And I cannot judge. For I do not need anything. The Queen of Bohemia has her own powers to manifest whatever she wishes. I love and forgive my father. The scrubbing lets go. The body scrubs and the body let's go the energy held in it. I am grateful that Dad takes my kids. That they get an Opa. That we have Thai food every week and that he is there for me to cry on when I really freak out about things.
The Queen of Bohemia scrubs away all the self doubt, all the fear and all the poverty mentality. Where she was afraid and thought she needed to move back to 1388 Kilkenny Street and take care of her father, she does not. She does not create chaos in her life any more. For she is settled. She has a lovely court to help her achieve her dreams. She cleans her own house, however, and that makes all the difference. For there is where her power lies. It lies within.
More so, it's the body that gets in there. The constant motion of the hands, the squats to get down on the floor and scrub into the corners. The mind stops; the heart opens. And whatever needs to be cleaned internally speaks its last words of reckoning and then vanishes like vapor from a tea kettle.
I realize that my father was the biggest wounding. Yes, my mother was a doozy, but he who survived the concentration camp of Java was so disempowered. I think of the seeds I purchased and planted in trays at his house in March. They sprouted, but promptly died from lack of attention. We did plant a few seedlings I purchased at a greenhouse in the back. But there is always the lack of initiative. The hope and the excitement of getting ready. Only to be met with disappointment and futility.
I ask my father when visiting his house to have the children help him weed the garden. Have him read to Paloma. He does not. They watch TV all day. My father sleeps in his bed.
I helped him get a reverse mortgage for his house before Frank died. And he has taken as much equity as he can out. And now another $30 k in equity will just be eaten up. I cannot understand the reasoning in this. He says the world is going to leap into the fifth dimension and none of this will matter. I do keep myself withdrawn from things, like the Speer property and panic about financials and see this as a grand projection that the Gita epitomizes in this action of life detached. But what the?!?!?!? I get angry. Why would he do that? How selfish! But then he is in survival mode, they say. And I cannot judge. For I do not need anything. The Queen of Bohemia has her own powers to manifest whatever she wishes. I love and forgive my father. The scrubbing lets go. The body scrubs and the body let's go the energy held in it. I am grateful that Dad takes my kids. That they get an Opa. That we have Thai food every week and that he is there for me to cry on when I really freak out about things.
The Queen of Bohemia scrubs away all the self doubt, all the fear and all the poverty mentality. Where she was afraid and thought she needed to move back to 1388 Kilkenny Street and take care of her father, she does not. She does not create chaos in her life any more. For she is settled. She has a lovely court to help her achieve her dreams. She cleans her own house, however, and that makes all the difference. For there is where her power lies. It lies within.
SAMBAL BADJACK
My father sits in a white undershirt at the kitchen table and eats Sambal Badjack, a paste of onions and chilies and garlic cooked down into a dark red, almost black, yellow-seeded mash. He buys it from Asian food markets. Along with petis, a fish paste that smells as bad as it sounds, or krupouk, prawn crackers that look like chips of shrinky dink plastic that when deep fried puff up into giant tasty Styrofoam things that tingle on your tongue.
Dad eats Sambal Badjack on everything. He eats it on bread, he eats it on spaghetti, he eats it with chicken, or he takes a big spoonful and shovels it in. Dad cooks us other Indonesian food, like the stuff that Kokki, his cook, made when he was growing up on Java. Like bami chicken, or nasi goring, fried rice, or babi ketchup, pork in soy sauce, or a lot of white rice with diced up hot dogs. He told me that’s all he ate when he came to this country, hot dogs and rice, hot dogs and rice.
When Dad sits at the kitchen table eating Sambal Badjack sandwiches he tells me stories. Stories of the jungles of Java, stories of the concentration camp. I take a seat next to him. First I have to pull the pile of old newspapers, broken roller skates and ketchup-stained rags off of a chair. Then I have to push back the zillions of thimbles, coffee-stained coupons, empty thread spools, rubber bands, textbooks, lace, rusty nails, buttons, magazine clippings and open spilling Sweet ‘N’ Low packets that cover the table with a fine white dust. I make a little clearing, and I put my peanut butter and butter sandwich there to eat.
I watch my father. His light Dutch blue eyes are like sapphires pressed into his dough-white skin, shadowed by a hard forehead streaked by bushy black brows . He stares off into the distance as if he is remembering something. Something. He takes a big spoonful of Sambal Badjack, smears it on wheat bread, folds it and takes a bite. I watch his jaw chew eagerly, rhythmically, and then I see the little beads of sweat, like rock candy, form on his temples and above his upper lip.
“Arhh!” he clears his throat. “God that’s hot! Wheew.” He loves it. He rubs his fingers through his hair. It would be all white, like his father’s sugar head of premature white at 40, if it weren’t for the hair color Grecian formula for men that Mom makes him use. So it’s a peanut butter brown, long on top with sides and back buzzed short.
He leans back in his chair to pull out a white cloth handkerchief from his pocket, keys and coins competing for his hand. He takes off his glasses, dabs his temples, wipes his lip, blows his nose. He clears his throat again, takes a spoonful of white sugar and places it on his tongue. It absorbs the heat, he says, or if that doesn’t do the trick, drink some buttermilk.
I watch. It’s like he’s having an out-of-body experience, like the one he had in the camp.
“Did I tell you that story?” he asks me. “How I died in the camp?” I chew on my peanut butter and butter sandwich. I know the story. He tells it a lot. When he’s 11 years old, about a year after being separated from his mother. When he got amoebic dysentery after eating snails from the river that the locals used as a latrine. The terrible cramps and diarrhea came and he went into the corner of a room where nobody came out alive. It was the same corner that the Japanese ordered him and the other little boys to drag out the bloated corpses of old men by their rubber band wrists and pile them up. Then once a week, to dig a hole outside the camp gates to bury them. Things decompose fast in the jungle, he says.
“I was in terrible pain, with cramps so bad, and then suddenly I saw myself outside of my body. I was looking down on everything, clear as day. I saw my grandmother and some other woman I didn’t recognize.” He is all hot from the Sambal Badjack. He chews a little bit more. “She said, ‘You must go back.’ And I thought. Back there? No way! But she said I must go back. Then I felt this strong pull and I was forced into my body again. The men looking after me said I was dead, but when I awoke, there was no trace of the disease. They couldn’t believe it. I was dead, and then I wasn’t.”
He keeps on chewing. Breathing heavy heat, holding on to a threshold. I’m with my father, in our kitchen, staring at the splat pad, the plastic sheet tacked to the wall behind the trashcan that catches all the multi-colored spit and food Mom launches in that direction. I stuff my mouth with the last of the peanut butter and butter sandwich. The ones I always make myself for lunch and for dinner these days. A big dry lump of peanut butter is still stuck in my throat, it only moves a little bit with each swallow. I think about the bully Vinh Grant in class. This Viet-Nam refugee and his sister Tia whose legs are in metal braces. How in class he reaches for my tit and my head gets hot in anger, and I push him away, but I don’t say anything. I wish he’d have died in his war and never made it to Mrs. Hinkle’s third grade class. I start making another sandwich.
I watch Dad again. Dad’s with his Sambal Badjack, with his hot peppers. The moldy hot peppers he collected from those in the camp who couldn’t take the heat.
“Thereafter, it’s the hot peppers I’m sure that burned out any amoebas or anything in me.” Hot peppers saved his life. But I can’t figure out why he had to go back. Why he had to live. I swallow the peanut butter down finally and it moves down my throat like a bowling ball in the gutter. Down to my stomach without a strike.
My mother walks in.
“Are you still eating that crap? It’s burning up your guts,” she laughs. “I don’t know why you eat that stuff. It’s going to kill you. And it costs a fortune as much as you eat, Albert.” She proceeds to microwave an egg.
My father doesn’t hear her. He is chewing on his Sambal Badjack sandwich. Heating up his body.
I go with Dad to the Asian supermarket in Boulder. Its smell should’ve warned me of what was to come in our kitchen. Dad searches for his ingredients, and I wander the store. There are cans of coconut milk, chili oil, and these tiny, dried fish, their eyeballs staring right out at you, crammed into little plastic packages, screaming, “There is no God.” There are stringy packages of noodles, cookbooks in Vietnamese. I recognize the clear jars of dad’s Sambal Badjack by the funny red writing and the drawing of a red rooster.
A little old Asian woman with a brown bubble perm and bad teeth smiles from behind the register as we check out. Dad has a handful of red peppers and puts them on the counter.
“Are these hot?” he asks her.
“Oh, Thai dragon. Yes, very,” she says, with a half smile, probably thinking what the hell is this white guy going to do with these peppers and is he going to sue me if he dies from eating them?
When we come home, Mom is exercising in yellow terrycloth shorts and a black t-shirt that says, HERE COMES TROUBLE. She has on The Green Berets record full blast and she is jumping up and down. Jeanie has on a blue jean jacket swarming with dozens of music group buttons. She’s swinging her arms left-to-right too, and then starts marching like in the army.
PUT SILVER WINGS ON MY SON’S CHEST. MAKE HIM ONE OF AMERICA’S BEST. ONE HUNDRED MEN WILL TEST TODAY. BUT ONLY THREE GET A GREEN BERET.
“Come on, Patti, dance with me.” I watch the thunderous jiggling of Mom’s fat belly, like a giant slab of pizza dough stretched around her middle and forced to endure a bumpy joy ride. “Help me lose this fat off my belly,” she says and grabs it. She dances on her thin legs, pasty white, racked with varicose veins, blue like the map of a river delta. “I wish I could move some of this fat to my skinny dog bone legs,” she calls out. She lifts her knees, left, right, left. “I hate my skinny dog bone legs.”
I laugh as Dad goes into the kitchen to start cooking. I watch as he chops with precision the garlic and onions and chilies and puts them into a pan of hot oil. “SHHHHHHHH” they hiss as the oil sizzles.
I hear the needle scratch across the record and Mom puts on Eartha Kitt.
I USE MY CHARMS TO DELIGHT YOU, MY TRICKS TO ENTICE YOU, AND ALL OF THE CHARM OF THE WEAKER SEX TO VOODOO YOU. THEY SAY THAT I’M A WITCH AND THAT I WEAVE A SPELL. BUT I’LL BE A SON OF A, I DON’T KNOW WHAT THE… WELL LET ME TELL YOU BROTHER I’D RATHER BE BURNED AS A WITCH THAN NEVER BE BURNED AT ALL.
I come in to dance with Mom. She makes a funny evil face scrunching it together, so that she looks just like the puppet witch from Santa Fe that is hanging on our front door. Our front door that is covered by a white screen door that the spring is broken so it closes with a whack. Jeanie and I start slam dancing off each other, throwing our arms up in the air, laughing, jiggling.
“Hey, be careful, you’re going to break something,” she says. She touches her toes, twists left to right panting. “I wish I were beautiful, kids. Patti, Jeanie, get a rich husband. Why can’t we be rich? We could sail to Europe, move to New York and eat at fancy restaurants all the time. Beautiful, beautiful, BEAUTIFUL.” Her arms are thrown up in the air. “Marry a rich husband, girls. Don’t live in dog dump like this.”
Soon you can really smell the onions and garlic and chilies all cooked up. A heavy haze of smoke fills the house and begins to burn our eyes.
“My God! Albert! Rat, cat, dog shit. Dog tricks!” my mother cries, half laughing, running toward the kitchen. “Hurry! Open the doors and windows! Our eyes are burning up from that crap, Albert!” Dad stirs the onions and the garlic and the chilies. Stirs the onions and the garlic and the chilies, his head in all the smoke.
Jeanie and I throw open all the windows, rubbing our eyes. I can see Brad the neighbor boy across the street watching. Then Mom, Jeanie and I run out to the back yard and are flooded with yellow sunlight, hot rays on our faces. My eyes still sting, my stomach hurts from laughing. We dance. We sing. We smell the Sambal Badjack.
Dad eats Sambal Badjack on everything. He eats it on bread, he eats it on spaghetti, he eats it with chicken, or he takes a big spoonful and shovels it in. Dad cooks us other Indonesian food, like the stuff that Kokki, his cook, made when he was growing up on Java. Like bami chicken, or nasi goring, fried rice, or babi ketchup, pork in soy sauce, or a lot of white rice with diced up hot dogs. He told me that’s all he ate when he came to this country, hot dogs and rice, hot dogs and rice.
When Dad sits at the kitchen table eating Sambal Badjack sandwiches he tells me stories. Stories of the jungles of Java, stories of the concentration camp. I take a seat next to him. First I have to pull the pile of old newspapers, broken roller skates and ketchup-stained rags off of a chair. Then I have to push back the zillions of thimbles, coffee-stained coupons, empty thread spools, rubber bands, textbooks, lace, rusty nails, buttons, magazine clippings and open spilling Sweet ‘N’ Low packets that cover the table with a fine white dust. I make a little clearing, and I put my peanut butter and butter sandwich there to eat.
I watch my father. His light Dutch blue eyes are like sapphires pressed into his dough-white skin, shadowed by a hard forehead streaked by bushy black brows . He stares off into the distance as if he is remembering something. Something. He takes a big spoonful of Sambal Badjack, smears it on wheat bread, folds it and takes a bite. I watch his jaw chew eagerly, rhythmically, and then I see the little beads of sweat, like rock candy, form on his temples and above his upper lip.
“Arhh!” he clears his throat. “God that’s hot! Wheew.” He loves it. He rubs his fingers through his hair. It would be all white, like his father’s sugar head of premature white at 40, if it weren’t for the hair color Grecian formula for men that Mom makes him use. So it’s a peanut butter brown, long on top with sides and back buzzed short.
He leans back in his chair to pull out a white cloth handkerchief from his pocket, keys and coins competing for his hand. He takes off his glasses, dabs his temples, wipes his lip, blows his nose. He clears his throat again, takes a spoonful of white sugar and places it on his tongue. It absorbs the heat, he says, or if that doesn’t do the trick, drink some buttermilk.
I watch. It’s like he’s having an out-of-body experience, like the one he had in the camp.
“Did I tell you that story?” he asks me. “How I died in the camp?” I chew on my peanut butter and butter sandwich. I know the story. He tells it a lot. When he’s 11 years old, about a year after being separated from his mother. When he got amoebic dysentery after eating snails from the river that the locals used as a latrine. The terrible cramps and diarrhea came and he went into the corner of a room where nobody came out alive. It was the same corner that the Japanese ordered him and the other little boys to drag out the bloated corpses of old men by their rubber band wrists and pile them up. Then once a week, to dig a hole outside the camp gates to bury them. Things decompose fast in the jungle, he says.
“I was in terrible pain, with cramps so bad, and then suddenly I saw myself outside of my body. I was looking down on everything, clear as day. I saw my grandmother and some other woman I didn’t recognize.” He is all hot from the Sambal Badjack. He chews a little bit more. “She said, ‘You must go back.’ And I thought. Back there? No way! But she said I must go back. Then I felt this strong pull and I was forced into my body again. The men looking after me said I was dead, but when I awoke, there was no trace of the disease. They couldn’t believe it. I was dead, and then I wasn’t.”
He keeps on chewing. Breathing heavy heat, holding on to a threshold. I’m with my father, in our kitchen, staring at the splat pad, the plastic sheet tacked to the wall behind the trashcan that catches all the multi-colored spit and food Mom launches in that direction. I stuff my mouth with the last of the peanut butter and butter sandwich. The ones I always make myself for lunch and for dinner these days. A big dry lump of peanut butter is still stuck in my throat, it only moves a little bit with each swallow. I think about the bully Vinh Grant in class. This Viet-Nam refugee and his sister Tia whose legs are in metal braces. How in class he reaches for my tit and my head gets hot in anger, and I push him away, but I don’t say anything. I wish he’d have died in his war and never made it to Mrs. Hinkle’s third grade class. I start making another sandwich.
I watch Dad again. Dad’s with his Sambal Badjack, with his hot peppers. The moldy hot peppers he collected from those in the camp who couldn’t take the heat.
“Thereafter, it’s the hot peppers I’m sure that burned out any amoebas or anything in me.” Hot peppers saved his life. But I can’t figure out why he had to go back. Why he had to live. I swallow the peanut butter down finally and it moves down my throat like a bowling ball in the gutter. Down to my stomach without a strike.
My mother walks in.
“Are you still eating that crap? It’s burning up your guts,” she laughs. “I don’t know why you eat that stuff. It’s going to kill you. And it costs a fortune as much as you eat, Albert.” She proceeds to microwave an egg.
My father doesn’t hear her. He is chewing on his Sambal Badjack sandwich. Heating up his body.
I go with Dad to the Asian supermarket in Boulder. Its smell should’ve warned me of what was to come in our kitchen. Dad searches for his ingredients, and I wander the store. There are cans of coconut milk, chili oil, and these tiny, dried fish, their eyeballs staring right out at you, crammed into little plastic packages, screaming, “There is no God.” There are stringy packages of noodles, cookbooks in Vietnamese. I recognize the clear jars of dad’s Sambal Badjack by the funny red writing and the drawing of a red rooster.
A little old Asian woman with a brown bubble perm and bad teeth smiles from behind the register as we check out. Dad has a handful of red peppers and puts them on the counter.
“Are these hot?” he asks her.
“Oh, Thai dragon. Yes, very,” she says, with a half smile, probably thinking what the hell is this white guy going to do with these peppers and is he going to sue me if he dies from eating them?
When we come home, Mom is exercising in yellow terrycloth shorts and a black t-shirt that says, HERE COMES TROUBLE. She has on The Green Berets record full blast and she is jumping up and down. Jeanie has on a blue jean jacket swarming with dozens of music group buttons. She’s swinging her arms left-to-right too, and then starts marching like in the army.
PUT SILVER WINGS ON MY SON’S CHEST. MAKE HIM ONE OF AMERICA’S BEST. ONE HUNDRED MEN WILL TEST TODAY. BUT ONLY THREE GET A GREEN BERET.
“Come on, Patti, dance with me.” I watch the thunderous jiggling of Mom’s fat belly, like a giant slab of pizza dough stretched around her middle and forced to endure a bumpy joy ride. “Help me lose this fat off my belly,” she says and grabs it. She dances on her thin legs, pasty white, racked with varicose veins, blue like the map of a river delta. “I wish I could move some of this fat to my skinny dog bone legs,” she calls out. She lifts her knees, left, right, left. “I hate my skinny dog bone legs.”
I laugh as Dad goes into the kitchen to start cooking. I watch as he chops with precision the garlic and onions and chilies and puts them into a pan of hot oil. “SHHHHHHHH” they hiss as the oil sizzles.
I hear the needle scratch across the record and Mom puts on Eartha Kitt.
I USE MY CHARMS TO DELIGHT YOU, MY TRICKS TO ENTICE YOU, AND ALL OF THE CHARM OF THE WEAKER SEX TO VOODOO YOU. THEY SAY THAT I’M A WITCH AND THAT I WEAVE A SPELL. BUT I’LL BE A SON OF A, I DON’T KNOW WHAT THE… WELL LET ME TELL YOU BROTHER I’D RATHER BE BURNED AS A WITCH THAN NEVER BE BURNED AT ALL.
I come in to dance with Mom. She makes a funny evil face scrunching it together, so that she looks just like the puppet witch from Santa Fe that is hanging on our front door. Our front door that is covered by a white screen door that the spring is broken so it closes with a whack. Jeanie and I start slam dancing off each other, throwing our arms up in the air, laughing, jiggling.
“Hey, be careful, you’re going to break something,” she says. She touches her toes, twists left to right panting. “I wish I were beautiful, kids. Patti, Jeanie, get a rich husband. Why can’t we be rich? We could sail to Europe, move to New York and eat at fancy restaurants all the time. Beautiful, beautiful, BEAUTIFUL.” Her arms are thrown up in the air. “Marry a rich husband, girls. Don’t live in dog dump like this.”
Soon you can really smell the onions and garlic and chilies all cooked up. A heavy haze of smoke fills the house and begins to burn our eyes.
“My God! Albert! Rat, cat, dog shit. Dog tricks!” my mother cries, half laughing, running toward the kitchen. “Hurry! Open the doors and windows! Our eyes are burning up from that crap, Albert!” Dad stirs the onions and the garlic and the chilies. Stirs the onions and the garlic and the chilies, his head in all the smoke.
Jeanie and I throw open all the windows, rubbing our eyes. I can see Brad the neighbor boy across the street watching. Then Mom, Jeanie and I run out to the back yard and are flooded with yellow sunlight, hot rays on our faces. My eyes still sting, my stomach hurts from laughing. We dance. We sing. We smell the Sambal Badjack.
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